Moulin Rouge
This piece is inspired by Paris, with John adding: “Just the words ‘Moulin Rouge’ bring to your mind colour, fantasy and probably the French painter Toulouse-Lautrec. Ever since I visited Montmartre and the Moulin Rouge I have wanted to try and recreate the atmosphere it produces in that district of Paris.”
Paintings shown (L-R): ‘Reine de Joie’ (1892), ‘La Clownesse assise’ (1896), ‘Moulin Rouge’: La Goulue (1891), ‘Jane Avril’ (1983), ‘Red-Haired Woman on a Sofa’ (1897), ‘Bal Toulouse-Lautrec Moulin de la Galette’ by Paul Colin (1935)
All of John’s artworks are painted by hand without any digital images or tracing. For the full effect of the 3D movement, they are best hung with the centre at eye level.
Original: $1,139.48
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Moulin Rouge
This piece is inspired by Paris, with John adding: “Just the words ‘Moulin Rouge’ bring to your mind colour, fantasy and probably the French painter Toulouse-Lautrec. Ever since I visited Montmartre and the Moulin Rouge I have wanted to try and recreate the atmosphere it produces in that district of Paris.”
Paintings shown (L-R): ‘Reine de Joie’ (1892), ‘La Clownesse assise’ (1896), ‘Moulin Rouge’: La Goulue (1891), ‘Jane Avril’ (1983), ‘Red-Haired Woman on a Sofa’ (1897), ‘Bal Toulouse-Lautrec Moulin de la Galette’ by Paul Colin (1935)
All of John’s artworks are painted by hand without any digital images or tracing. For the full effect of the 3D movement, they are best hung with the centre at eye level.
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This piece is inspired by Paris, with John adding: “Just the words ‘Moulin Rouge’ bring to your mind colour, fantasy and probably the French painter Toulouse-Lautrec. Ever since I visited Montmartre and the Moulin Rouge I have wanted to try and recreate the atmosphere it produces in that district of Paris.”
Paintings shown (L-R): ‘Reine de Joie’ (1892), ‘La Clownesse assise’ (1896), ‘Moulin Rouge’: La Goulue (1891), ‘Jane Avril’ (1983), ‘Red-Haired Woman on a Sofa’ (1897), ‘Bal Toulouse-Lautrec Moulin de la Galette’ by Paul Colin (1935)
All of John’s artworks are painted by hand without any digital images or tracing. For the full effect of the 3D movement, they are best hung with the centre at eye level.
