Another Time, Another Place
Like the Impressionist painters before him, Paul Kenton evokes moods and emotions with his colours, free shapes and dripped lines. In a collection that captures two of the most iconic cities in the world, he continues to define a new genre of cityscape art. This piece is taken from his London/New York series.
Paul explains: “Colour is essential for projecting a mood within my paintings. In this piece, I use a richly saturated colour palette to capture the heightened drama charging around Westminster. Bright, vivid and warm tones create a focal point, drawing the viewer’s attention to the Houses of Parliament and the lights reflected on the Thames.”
More Images
Another Time, Another Place
Like the Impressionist painters before him, Paul Kenton evokes moods and emotions with his colours, free shapes and dripped lines. In a collection that captures two of the most iconic cities in the world, he continues to define a new genre of cityscape art. This piece is taken from his London/New York series.
Paul explains: “Colour is essential for projecting a mood within my paintings. In this piece, I use a richly saturated colour palette to capture the heightened drama charging around Westminster. Bright, vivid and warm tones create a focal point, drawing the viewer’s attention to the Houses of Parliament and the lights reflected on the Thames.”
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Like the Impressionist painters before him, Paul Kenton evokes moods and emotions with his colours, free shapes and dripped lines. In a collection that captures two of the most iconic cities in the world, he continues to define a new genre of cityscape art. This piece is taken from his London/New York series.
Paul explains: “Colour is essential for projecting a mood within my paintings. In this piece, I use a richly saturated colour palette to capture the heightened drama charging around Westminster. Bright, vivid and warm tones create a focal point, drawing the viewer’s attention to the Houses of Parliament and the lights reflected on the Thames.”
