Over The Brooklyn Bridge
Like the Impressionist painters before him, Paul Kenton evokes moods and emotions with his colours, free shapes and dripped lines. In a collection that captures two of the most iconic cities in the world, he continues to define a new genre of cityscape art. This piece is taken from his London/New York series.
Paul explains: “I find that working on a square format creates a gripping visual tension, ideally suited to emphasising distinctive structures. The focus is on Brooklyn Bridge in the centre of the composition, balanced against a soft sunset. The sunset exudes an inviting warmth, encouraging the viewer to look into and beyond the bridge towards the city.”
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Over The Brooklyn Bridge
Like the Impressionist painters before him, Paul Kenton evokes moods and emotions with his colours, free shapes and dripped lines. In a collection that captures two of the most iconic cities in the world, he continues to define a new genre of cityscape art. This piece is taken from his London/New York series.
Paul explains: “I find that working on a square format creates a gripping visual tension, ideally suited to emphasising distinctive structures. The focus is on Brooklyn Bridge in the centre of the composition, balanced against a soft sunset. The sunset exudes an inviting warmth, encouraging the viewer to look into and beyond the bridge towards the city.”
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Like the Impressionist painters before him, Paul Kenton evokes moods and emotions with his colours, free shapes and dripped lines. In a collection that captures two of the most iconic cities in the world, he continues to define a new genre of cityscape art. This piece is taken from his London/New York series.
Paul explains: “I find that working on a square format creates a gripping visual tension, ideally suited to emphasising distinctive structures. The focus is on Brooklyn Bridge in the centre of the composition, balanced against a soft sunset. The sunset exudes an inviting warmth, encouraging the viewer to look into and beyond the bridge towards the city.”
